Asian film connections

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Please note that ebooks are subject to tax and the final price may vary depending on your country of residence. Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as arthouse, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes.

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This page features a list of titles found in the COCC's Asian film collection and links on these films. Calif - Center for Scholarly Technology - Annenberg Center for Communication"seeks to create a deeper awareness and understanding of Asian cinema by providing immediate and comprehensive information about films from Asia, especially the cinemas of China, India, Japan, Korea, and Taiwan. The commentary, plot information, notes, and references are provided as a starting point for an exploration of these films and Japan.

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This is not an article that seeks to survey the Asian documentary festival scene comprehensively or with neat generalisations. Although the first international documentary festival in Asia was not staged until at Yamagata, precursors to such exhibition impulses, or the eagerness on the part of documentary filmmakers in this region to engage their audiences in public settings at a grassroots level, could already be observed with the independent screenings mobilised by Japanese documentarist Ogawa Shinsuke among students and activists from the mids. It is in their differences that we try to grasp the ways in which these festivals dialogue with and relate to each other against the gradually homogenising Asian cultural economies; it is also in the splendid connections among the festivals and across their diversified actors, film communities and entities that we glimpse the creativities and discontents of Asian documentary cinema, as well as the entwined sociocultural histories that it has recorded, critiqued and has become part of.

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Please note that ebooks are subject to tax and the final price may vary depending on your country of residence. Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as art house, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes. This book explores developments in the global popularity of East Asian cinema, from Chinese martial arts, through Japanese horror, to the burgeoning new Korean cinema, with particular emphasis on crossovers, remakes, hybrids and co-productions.

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Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as art house, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes. This book explores developments in the global popularity of East Asian cinema, from Chinese martial arts, through Japanese horror, to the burgeoning new Korean cinema, with particular emphasis on crossovers, remakes, hybrids and co-productions.

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How should the study of Asia-Pacific screen culture change if we think transnationally? All too often, the study of transnational cinema is little more than a celebration of national soft power, as in some writing on the so-called Korean Wave phenomenon. In this talk, we will examine Sino-Korean film connections as a counter-example, to discuss how we might map cinema from a transnational perspective. This lecture argues that precisely because such a perspective runs across the disciplinary force of the nation-state and its borders, no linear history can be narrated.

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